"Appuie sur le champignon" ( "Push on the mushroom" which means in french, Hurry Up driver) speak out tipsy carnival goers. Nuclear explosions, chains reactions in a delight mood. Party Goes on !
Images and sounds are always ambivalous ; landscapes can always turn from the stability to oblivion. Carnival goers and explosions are faces of switchover. After the uproar, things roll again.
Cendrine Robelin
is a French artist, composer and filmmaker. She is particularly interested in the passage from chaos to the cosmos, to the connections between the macrocosm and the microcosm, around the notions of ecosystem and listening.
Her first long feature film is called "The Window of Dreams" ("La lucarne des rêves"). It's an artistic documentary about electroacoustic music and experimental frames featuring some pioneers like Bernard Parmegiani and Michel Chion. This film get a wide diffusion in festivals like FID Marseille (2017), International Film Festival Rotterdam (2019) for instance.
Her radiophonic work, between electroacoustic music, hörspiel and creative documentary has received several international prizes (among which : Jury Mention in Luigi Russolo contest in 2012,[citation needed] First Prize on Choc.Ca Contest in 2015 ). In France, her programs are broadcast on radios, in exhibitions and in electroacoustic festivals.
In 2019, she gets the Visual Art Prize of Nantes (France) for her whole work
Notably disparate Sydney localities. A threaded expanse of colour expands and/or contracts within each portion of footage. The displaced perimeters of the images redefine their discernment whilst whimsically disclosing their underlying digital fabric.
David Anthony Sant
Born in Sydney, Australia...
Time is endless.
Now, future, past, tomorrow intertwined
existence is a journey,
layers of reality
a new allusion at every moment,
images are boundless, connotations are loud
the journey that looks bleak,
trees waiting to sprout
… for Hope.
Sevcan Aytaç Sönmez
was born in Turkey in 1983. She liv...
The video describes the intimate space of the altar, hidden from the eyes of the outside world. The characters jokingly offer to sacrifice themselves, talk about fear, which is not really there. And there is only infinite power and authority under the cover of submission.
Potted plants are weaned...
