"La Gàbia" (2019) by Marian Raméntol & Cesc Fortuny is the film that closes the Tri Laksana trilogy based on the Buddhist concepts of impermanence, desire and suffering and composed of two other short films:
#1 - "Efímer"-2016: https://www.viridiana.tv/videos/efimer
#2 - "Duhkha"-2018: https://www.viridiana.tv/videos/duhkha
Through the introspective journey of the protagonist diagnosed with a terminal illness, the Buddhist concept of attachment is addressed. In Buddhism, attachment is called "upadana", one of the main causes of anguish because, if everything is ephemeral, clinging to it condemns us to dissatisfaction. From a train journey to a walk by the sea, everything is a painful introspection, uncomfortable and full of discomfort provoked by the instinctive affection for life.
Marian Raméntol & Cesc Fortuny
Trained in lighting, analogue and digital editing and literary scriptwriting, among other subjects, Marian Raméntol and Cesc Fortuny, multidisciplinary artists, approach visual language from the perspective of someone who has published several collections of poetry and produced a number of musical works. They collaborate with other filmmakers, acting, scoring or scriptwriting experimental and artistic films.
A woman is born into a white world full of light. She explores the world dancing, but she is beaten, raped, and murdered by an violent reality. The woman ends up dead in the middle of two strips made with her blood and that shape the Peruvian flag.
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Carlos (17), an introverted and talented painter, suffered the death of his mother a year ago. He is now overwhelmed by hiding his sexual orientation and his desire to study at art school in Cuba from his father, a tough and difficult military man. He decides with his childhood best friend, Luis....
