Jesus searches for himself in worn-out family tapes: childhood as a place almost entirely forgotten.
Jesús Serna
Jesús Serna is interested in the image, the periphery of the image, its impurity; writing as a game of mirrors, as rewriting; the labyrinth. as a game of mirrors, as rewriting; the labyrinth.
As ungraspable evidence: his short films Polvo de Hadas (2006), Los sentados (2011) and Hacia el fuego (2011). (2011) and Hacia el fuego (2020); Lo que queda (2017), his first full-length film; and the diptych that reveals his written version of the world, Sunflowers in Venice (2013) and Velodrome (2017).
A tribute to Spanish poetry and to some of its ambassadors of the 20th century sucked up by the whirlwinds of Franco's regime.
Adrien Milliot / Maxime Dejob
Adrien Milliot is a self-taught film-maker, interested by cinema and theatre scenography, writing and visual art. After his studies of soci...
Five minutes before going out to the stage, the international superstar, Atenea Nova, will have to decide if going out and surrender to the consequences from fame or breaking up with her artistic career forever.
Atenea Nova, the international superstar, prepares for her last concert of the Phoeni...
A 8mm work disintegrated and re-integrated; a piece of "found footage" dug out of a flea market full of moisture and fungi, full of life born out of death. The film is projected simultaneously on two 8mm projectors and manipulated in real time by burning frames and spraying bleach water on them l...
